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Musically, it has to be hard and correspond as much as possible to what the inclined listener is used to. Unless you aspire to become the Next-Generation-Manowar, then innovation is certainly allowed, but it can also backfire. Metal has to be as it has been played for a quarter of a century. It (the metal) must hit hard, have epic airs, show emotions like in grand cinema or tennis, and present solos and other guitar fiddling as much as possible. Occasionally, piano is also allowed, as a sort of dramatic addition. All of this has been well captured by The Mystery, and they have added a bold and good singer up front, which is known to be rather rare, almost exclusive. Or do I not know enough about the subject?
It’s just metal, as you know it, and they do it classically well. Music isn’t everything; the image should also be right. The guys convey this authentically, and the lady on vocals does not detract from it but is an interesting enhancement.
From a recording perspective, there’s nothing to complain about, but also no finger pointing towards the heavens. As I said, metal is like grandma’s pancakes: they should stay just as they always were! However, the slip-up at the end of track 13 is worth a raised eyebrow!
Soulcatcher is strong with 15 tracks, but unfortunately remains without highlights. There’s a chance that they will mysteriously sink into the market, as the competition is large and metalheads have already found their favorite bands.
Link: The mystery
Label:Rough Trade
